“Over romantic.” Your Sunday song.

The Watanabes are two Britsh brothers in Tokyo doing the indie way. When they are not performing as on acoustic duo, they play as a band with Ayumi Sato on bass and Tomoyuki Yamada on drums.

The Watanabes are two Britsh brothers in Tokyo doing the indie way. When they are not performing as on acoustic duo, they play as a band with Ayumi Sato on bass and Tomoyuki Yamada on drums.

The Watanabes

 

 

A pointer to an interview with the world’s most infuential designer

Apple Park via Hodinkee Magazine

Apple Park via Hodinkee Magazine

Apple, Influence and Ive

Apple, Influence and Ive

This is about watches and Apple Park in a rare interview with Jonathan Ive:

Read in full over atHodinkee Magazine

 

 

via Only dead fish
Subscribe to „Only Dead Fish‟.


 

 

Present day future music

Future music

Childish Gambino - This Is America

Childish Gambino – This Is America

Childish Gambino with a present day protest song

For its unexpected atrocity, German highbrow media jumped on it immediately. The crap dance is amazing. I read somewhere that according to the artist this should replace protest songs as we have come to know them from Bob Dylon.

What appears to me as more meaningful however, are perhaps one or two subsequent examples of future music. Countless bands are heading for new shores only to end up in Pitchfork’s experimental music bin. Much of what’s on Pitchfork gets tossed in such bin, even though Pitchfork doesn’t classify it as such. Those assumed in that bin fail to fashioned listening habits and to respond to their audiences needs. Not so ‚Khruangbin’ or ‚Men I trust’ with tracks that reintroduce early bird synthesizers from ‘Switch on Bach’ to go along with contemporary conventional stuff.

Khruangbin with present day future music

Music that’s easy to follow, the guitar plays simple single notes and guitar bass and drums resist virutosity for most parts. A guitar play I hear from no one else. It’s a guitar I have heard before on a sailing trip along the coast of former Yugoslavia. It’s what some local radio station played relentlessly. This was back in the Hippie days, on a shore leave we watched the popular band Gypsy Love’s concert.

Khruangbin music has something from Curtis Mayfield’s life recording from Paul Colby’s Bitter End in New York (1971), and some of Hendrix’ Band of Gipsys. Even my current reading of the self-portrait of Helene and Wolfgang Beltracchi may influence my judgement. At today’s Hellabrunn zoo visit, the hormones gathered around mothers in colourful hippie dresses.

Read in fullby Callum Marsh


 

 

A pointer to “If liberalism Is dead, what comes next?”

John Locke. Photo: Hulton Archive/Getty Images

John Locke. Photo: Hulton Archive/Getty Images

Christine Emba, reviews author Patrick Deneen’s book, “Why Liberalism Failed”. A Notre Dame professor. The answer to her question is left to the reader. But you get a good grasp on the reasons for a possible failure of liberalism.

As you might have worked out, Deneen thinks this much-lauded model has proved itself a disaster — “not because it fell short,” in his assessment, “but because it was true to itself.”

On the right end of the ideological spectrum, Deneen notes, classical liberalism celebrated the free market, which facilitated the radical expansion of choice.

On the left, liberalism celebrated the civil right to personal choice and self-definition, along with the state that secured this right by enforcing the law. But both approaches basically converge into the same thing: a headlong and depersonalized pursuit of individual freedom and security that demands no concern for the wants and needs of others, or for society as a whole.

Washington Post

Mitglieder Vorschau


Read in fullby Christine Emba