This is great. Notice the subtle tic tac animation of the initial credits in the first trailer (not shown here). You will like the soundtrack even when you hate Queen. The trailer may serve as best practice on how music and motion are brought together. It’s so good, I mistook it for a Beatles song. Not sure what Will Smith does in this movie, while Margot Robbie takes her profile beyond Pan Am, The Wolf of Wall Street and The big Short.
I’ve never heard of little Nick but got to watch it the other day on German tv as it made its audience laugh out loud.
New Year was absolutely fantastic, as alternation and the attraction of the new prove magnetic.
Falstaff is as though, recommending Schönberg’s 12-tone music2 for the music lover’s wellbeing on silent night. As though presenting a modern movie in midst of the ongoing Star Wars nostalgia wave.
Accepted and welcome is the change in consumer behavior, as iTunes Trailer documents so well with various documentary films and movies, which did not fit the entertainment standards until recently.
Possibly it concerns the return of the patronized consumer to a citizen of age. Something desirable, indicated by current tendencies.
Not every change is welcome. Sarah Larson’s Why you hate the new Google logotype3 supports this theory.
Google’s logo before and after
On the one hand, you want your brand to be responsive toward its user habits. On the other hand, you want your brand to be unique. The question pops, how radical you want your brand to be. The most dangerous question a business man or woman faces every day.
Falstaff personal or more general?
Can you see the light?
If so, who’s shadow or what shadow are you stepping out from? Is it your father’s, a brand you adore? Do you want your brand to be set apart or deliberately be an integrated member of the larger community? Stand out or hold your ground?
Re-released Mein Kampf original or modern?
Whatever your answers might be, in a world changing from solid to liquid, you want your brand and business to be run on a responsive OS4.
Hubschrauber des US Präsidenten – mit traditioneller Serifenschrift
Hubschrauber des US Präsidenten – mit moderner Sans-Serifenschrift
A responsive conception of oneself
For anglo-american people it has been easier to read serif type, while Europeans find it easier to read sans serif type.
While the US is letting go from the idea to be the center of the world, the rising acceptance of sans serif type in the US is an emanation of the times.
Since 9/11 the west is reminded of the existente of yet another great community, one that not necessarily writers from left to right and ones who put their marks vertically from top to bottom.
With the occurrence of emerging technologies, the world is moving at unprecedented lightening speed. Design offers a bridge to integrated communication that can be more easily crossed than by steps taken by any government.
If your want to rise above the competition with generic, generell, universal typography and appear more distant, or you have gained momentum with a large enough following, that enables you to convince with your very own brand personality, your gut feeling paired with business sense will tell you.
Go easy, hang loose with your responsive OS in place, development is a friend. It’s a game that cannot be won, it can only be played.
My father let me have his creme colored Mustang from age 14 on. That was in Germany where driving was prohibited under age 18. That was when he took the keys from me.
Age 14, when there were still borders in Europe, I took my friends across for ski trips on Austrian slopes. Dad told me how to drive in the everglades early on. In Washington DC he let me do the driving, got out of the car and said: “Meet you at the hotel.”
Today’s Mustang looks like a toy car. Why shouldn’t it? It is a toy, now isn’t it? It would make for a desirable EV and be something to look forward to.
In the absence of a new aesthetic (NA), it’s good to see Spandau Ballet with no identity crisis. Fantastic really. Helen Mirren is beautiful to look at and Tony Hadley moves like an actor playing a mafioso. No?
Well maintained, well mannered, beautiful to look at are Helen Mirren, Ryan Reynolds, Daniel Brühl, aside from Tony Hadley, at age 54 no clown on stage.
Having been there, done all, I’d say, I am the thief. But that space is taken by Faris Yacob.
Due to my most recent hick-up №4, when I spilled my retirement cash into Berlin’s river Spree, I have returned to being a graphic designer and help people succeed with their businesses bottom up at the most needed level. Their website.
With a difference, I do the hacking myself. I am at my best in branding – connecting the dots – exactly as it has been said about Steve Jobs. The dots I connect are objects and hunches I follow. I aim at getting it done with the most basic of available assets, my choice of prefab, off-the-shelf templates (blog dna) and hand-picked web fonts.
I’ve had the same school of people on my radar since their discovery (me stumbling upon their digital left behinds shortly after the Berlin hick-up in 2006 mentioned earlier), and I am as excited as envious to see Ana Andjelic and Gareth Kay edit a book on the future of advertising and John V Willshire starring in the video. How refreshing!
Alas, I don’t like the book cover all too much. Here’s one I’d like to see on the market.