R100 directed by Hitoshi Matsumoto staring Nao Ohmori.
R100—the title a riff on the Japanese movie rating system, whose equivalent to NC-17 is R18
or the German FSK, “Ab 18 freigegeben.”
Which one are you?
Having been there, done all, I’d say, I am the thief. But that space is taken by Faris Yacob.
Due to my most recent recent hick-up №4, when I spilled my retirement cash into Berlin’s river Spree, I am back to designing and making clients succeed with their businesses. I am at my best in branding – providing people with becoming characteristics in the early 21. century. Simply by matching their brand pillars or character trades and where they want to go with the most popular usability and web typography.
I’ve had the same school of people on my radar since their discovery (me stumbling upon their digital left behinds shortly after the Berlin hick-up in 2006), and I am as excited as envious to see Ana Andjelic and Gareth Kay edit a book on the future of advertising and John V Willshire starring in the video. How refreshing!
Alas, I don’t like the book cover all too much. Here’s one I’d like to see on the market.
Get your copy here.
Questions addressed in the book are:
- What does the industry need to do today (not tomorrow) to stay valuable and relevant?
- What the f**k do clients know about great advertising?
- How can copying make you more original?
- How do we ‘do’ innovation?
- Should we make things people want rather than make people want things?
- How do you find emotional resonance in real time marketing?
- What’s the best way to punch procrastination in the face?
- And why are we so excited by the next generation of advertising?
“You’re confused, I painted that.”
Scott Alexander, Larry Karaszewski
Amy Adams, Christoph Waltz, Krysten Ritter, Danny Huston, Jason Schwartzman, Terence Stamp
“He sells paintings, he sells pictures of the paintings, and he sells postcards of the pictures of the paintings.”
“Good god it’s a movement.”
Kaitlyn Dever, Rosemaire DeWitt, Ansel Elgort, Jennifer Garner, Judy Greer, Dean Norris, Adam Sandler
Men, Women & Children follows the story of a group of high school teenagers and their parents as they attempt to navigate the many ways the internet has changed their relationships, their communication, their self-image, and their love lives. The film attempts to stare down social issues such as video game culture, anorexia, infidelity, fame-hunting, and the proliferation of illicit material on the internet. As each character and each relationship is tested, we are shown the variety of roads people choose – some tragic, some hopeful – as it becomes clear that no one is immune to this enormous social change that has come through our phones, our tablets, and our computers.
Director: Hiroyuki Okiura
Writers: Hiroyuki Okiura
Actors: Amanda Pace, Stephanie Sheh,
Kirk Thornton, Fred Tatasciore,
Dana Snyder, Bob Bergen,
Frank Ashmore, Philece Sampler,
Rick Zieff, Kanoa Goo
The last time Momo saw her father they had a fight – and now all she has left to remember him by is an incomplete letter, penned with the words “Dear Momo” and nothing more. Moving with her mother to the remote island of Shio, Momo soon discovers three goblins living in her attic that only she can see, who create mayhem in the tiny seaside community. But these funny monsters may hold the key to helping Momo discover what her father had been trying to tell her.
Magic in the Moonlight Movie Clip – I’m Not Wrong (2014) Colin Firth, Emma Stone HD
Woody Allen’s MAGIC IN THE MOONLIGHT is a romantic comedy about a master magician (Colin Firth) trying to expose a psychic medium (Emma Stone) as a fake.
I allowed myself the diversion by the indignation about Disney’s ‘Frozen’, I missed watching and its trailers are now causing silent rejoicing, about the cgi animators’ gifted observation abilities and the ever more sophisticated technologies being used.
The charming, female pace of the ice queen Elsa in Disney’s family epic ‘Frozen’ disconcerts the compatriots. The steadily increasing ability of observation and raised level of awareness, that is incubated by the web, is both pleasing and reassuring. An indicator how brand building must become more responsive for these new, yet genuinely analogue customs, that of trained observation skills by the public.
Branding is no longer dominated by manipulating a few static images, but by public investigation of your brand’s movement reflected by the web in real time (DIY real time chronicle) and you’re on the safe side if your brand movement are as alluring as Elsa’s sexy walk.
Until German television station have discoverd a new business model or global distribution system, quality tv won’t have the budget to exercise high concept film productions and make them available to local teams. For now it’s let go and buy from Scandinavian and American tv.
Not the official movie trailer
A hard day’s night by director Richard Lester
Meet the Beatles! Just one month after they exploded onto the U.S. scene with their Ed Sullivan Show appearance, John, Paul, George, and Ringo began working on a project that would bring their revolutionary talent to the big screen. A Hard Day’s Night, in which the bandmates play slapstick versions of themselves, captured the astonishing moment when they officially became the singular, irreverent idols of their generation and changed music forever. Directed with raucous, anything-goes verve by Richard Lester and featuring a slew of iconic pop anthems, including the title track, “Can’t Buy Me Love,” “I Should Have Known Better,” and “If I Fell,” A Hard Day’s Night, which reconceived the movie musical and exerted an incalculable influence on the music video, is one of the most deliriously entertaining movies of all time.
Source: Apple Trailer.